This marks the beginning of the end…

…of traditional mass-market media. – Russell Beattie, concerning the Adam Curry / Sirius Radio deal.
On today’s DSC (and in today’s NYT), Adam Curry announced the four-hour Podshow on Sirius radio. On May 13, Adam will begin hosting a four-hour daily show with the best of podcast content from around the world. For those with Sirius receivers, the content will be played on channel 148 (“Talk Central”). For those w/o Sirius, you won’t get the content. Or, maybe you will get pieces of it through the Daily Source Code.
But I find it odd that Adam is going from a generally available medium (as long as you have broadband connectivity) to a generally closed medium (i.e., proprietary, subscription-only satellite radio). Adam’s efforts will certainly boost the visibility of podcasting, but this cross-promotion will only play to a small audience (i.e., Sirius subscribers). While I applaud the elevation of podcasting in other mediums, I wonder if this will be a sufficient step to place podcasting into the greater consumer conciousness. And the price may even be too high to bear.
And my thoughts are echoed by many others. Steve Kirks (product manager for Radio Userland) has some pretty pithy comments about the deal on Russell’s blog. He noted, “I see the Sirius gig as something more sad than glad, I guess.” Indeed, he thinks that this move will split the podcasting community into two camps: the professional “haves” and the needy “have nots.” And Steve may be right. But I’ll let time and history determine whether Adam or Steve is correct.
Dave Slusher (Evil Genius Chronicles) had some very strong words for the Infinity radio channel deal. In this deal, a failed radio station is collecting podcasters to “fill the pipeline” with content. Dave warns the podcasting community that we may be giving away something that others will gladly take from us and then successfully monetize for themselves.
And what is Dave Winer saying? Dave is taking the high road and applauding Adam on his success. Congratulations to Dave for publicly demonstrating bonhommie. He could have taken the low road and trashed Adam for selling out. Dave didn’t. Let’s follow Dave’s example.
And here are my $0.02. I love the marketplace of ideas. I can’t wait to see how this venture will play out. This _will_ elevate podcasting. And it won’t change the fact that even more people can develop and distribute content – however good or bad that content might be. I have to agree with Russell Beattie. He said, “…Adam really showed us all what was possible and moved everything forward I think a lot faster than normal. If anyone else had done Podcasting first, it wouldn’t have taken off nearly as fast, if at all.” I wonder what Russell thinks of the Paris Hilton podcast! 😉
Good luck, Adam!
-CyclingRoo-

David Byrne Launches Internet Radio Station

BoingBoing has a good article based upon today’s NPR interview with David Byrne. David has launched an Internet radio station featuring the music that David is most interested in. It’s great to see music luminaries getting into new technology. First, Adam Curry (and David Winer) got the podcasting phenomenon off the ground. Now, musicians are getting into the tech biz as well. It’s nothing new – but it’s good to see David emerge again. Maybe he’ll be a force for big changes once again.
BTW, I may just have to check out David’s latest album (Grown Backwards). The reviews at Amazon are generally positive. This guy just keeps re-inventing himself!
-CyclingRoo-

Thirty-seven years in the making…


SMiLE was supposed to be released in 1967. I was six years old then. So I haven’t been waiting for this since Brian went into his immense personal struggles. But I am like most music lovers – I do know the hype. I have heard the boots and the remixesfor years. And I have always loved seeing the Beach Boys (and Brian Wilson) in concert. One of my fondest memories of the seventies was seeing the Beach Boys performing on the Mall in Washington D.C. on July 4th.
Since then, the last time I truly th0ught about Brian Wilson was when I heard the Brian Wilson track from the Barenaked Ladies on their Gordon album. I love BnL so the song spawned some research on Brian and the pop music of the sixties. Without spending more than a few words, it is safe to say that Brian Wilson was one of the most innovative composers in modern pop music. I could say a whole lot more. But my words would not do Brian (or his artistic genius) any justice. And I have no right to comment on his personal troubles. He will need to spend the rest of his life exorcising the demons from the Summer of Love.
Where was I… Last week, I got a gift certificate to the local retail mall. I got the gift certificate from the basketball booster club (I did a video for their annual banquet). As I thought about how I would spend $25, I figured music would be the best bet. So I started looking at what had been recently released. Then I saw the hooplah about the SMiLE album. I don’t know where I was last year, but I missed the calendar release entirely. Of course, once I knew the album was out, I found an article in this week’s Kansas City Star that mentioned Brian. He will be in concert this summer. He will be performing all of the cuts from the SMiLE album. I can’t wait. Best yet, it will be performed at Starlight. Starlight is an open-air theater. And my sense of the album is that it was meant to be performed in the open air.
So I just had to get the album. Would you like a review? Well, there are hundred available on the Net. One of the best is Dominique Leone’s review at Pitchfork. But here is mine:

  • This album rocks.
  • It captures the sense of the Summer of Love.
  • It has intentionally trippy and somewhat disturbing (or at least, incongruous) elements – especially during Mrs. O’Learry’s Cow. And it is very reminiscent of Sgt. Pepper in many ways. No wonder Paul and Brian hit it off. No wonder there was so much controversy between the bands.
  • It has amazing vocal harmonies. I just wish I could have heard the entire piece with the original vocals. The Wondermints are great. And I almost hear the Beach Boys. But remember, this is Brian Wilson’s SMiLE. The Beach Boys never released this album.
  • If I close my eyes, I see the band I remembered. Brian and the Wondermints have faithfully replicated the Beach Boys sound. But this is not a sneering and smarmy remake/retake. Brian was sincere and faithful in every track.
  • Even at sixty-two, Brian has a great voice. It is a little lower than at its prime. And there is less of the exuberance that youth creates. But I would have never known that this was sung by a sectagenarian.
  • Paul wasn’t munching on carrots during Vega-tables.
  • This is not a nostalgia album. It is strong and solid on its own. And it is great – at any time.
  • Just as planned, the last track (Good Vibrations) really does leave you with a smile.

My review is simple – buy ths album. It is a fantastic follow-up to Pet Sounds – even if it is a 37-year follow-up!

Songs That Matter – Part Deux

OK, Rick. I’ve worked the list some more. I’ve added and deleted many times. I like most of what I picked last time. But I had to add some important things and delete some personal favs. But I like this list much more.
Here are the operating parameters:
1. Less than three (3) hours playing time!!!
2. Less than three dozen songs.
3. Only songs from 1965 on – this one hurts!
So here is the list…

  • Good Vibrations, The Beach Boys – 1966
  • Lucy In The Sky With Diamonds, Beatles – 1967
  • Riders on the Storm , The Doors – 1971
  • Tiny Dancer , Elton John – 1971
  • Reelin’ in the Years, Steely Dan – 1972
  • Money , Pink Floyd – 1973
  • Piano Man, Billy Joel – 1973
  • Nights in White Satin , The Moody Blues – 1974
  • Killer Queen , Queen – 1974
  • Stairway to Heaven, Led Zeppelin – 1976
  • Hotel California , The Eagles – 1976
  • Sweet Talkin’ Woman, Electric Light Orchestra – 1977
  • Dust in the Wind , Kansas – 1977
  • Roxanne , The Police – 1978
  • Dog Eat Dog, Adam & The Ants – 1980
  • Call Me , Blondie – 1980
  • White Wedding, Billy Idol – 1982
  • Mr. Roboto , Styx – 1983
  • Burning Down the House, Talking Heads – 1983
  • China Girl , David Bowie – 1983
  • I Want to Know What Love Is, Foreigner – 1984
  • Purple Rain, Prince & the Revolution – 1984
  • Material Girl, Madonna – 1984
  • Money for Nothing, Dire Straits – 1985
  • Bouncing Around the Room, Phish – 1991
  • Jeremy , Pearl Jam – 1991
  • Smells Like Teen Spirit, Nirvana – 1991
  • Mysterious Ways , U2 – 1991
  • Losing My Religion, R.E.M. – 1991
  • All I Wanna Do , Sheryl Crow – 1993
  • Just a Girl, No Doubt – 1995
  • You Oughta Know, Alanis Morissette – 1995
  • Crash Into Me , Dave Matthews Band – 1996
  • Airbag , Radiohead – 1997
  • Smooth, Santana – 1999

Rick, this isn’t getting easier. But I did get “Good Vibrations” in. So with a Brian Wilson song in the mix, I know I am in the proximity of success.
Ciao

Music Tagging & iTunes

I’ve had MP3 players for the past five years. And in that time, there have been many different ways that music players have handled album artwork. Real and MusicMatch have used MP3 ID3 tags for art storage. That’s worked fine. And iTunes recognizes and represents these tags quite well – at least, v4 of iTunes handles them well.
But I bought a new album last night. And I bought it at the record store. Yes, I went to a physical store. How 20th century of me! So this is the first physical media CD I’ve grabbed since getting the iPod Shuffle. And I decided to use iTunes for the complete ripping and storing experience. And I am thoroughly underwhelmed by the iTunes ripping experience. Quelle domage!
First, iTunes decides that I must want AAC encoding. Why would I want that? It’s music that I’ve purchased. That means that I have an implicit right to use conveyed through the purchase of the album. But iTunes must think I don’t use anything but Apple products. That’s wrong.
So now I have to find a way of converting AAC files to DRM-free files. So it’s off to JHymn for the complete conversion experience. I’ve used JHym for several weeks now. It’s a great product that strips the DRM atoms from the m4a file. I absolutely needed this function so I could use Sony’s Acid product to build the soundtrack for my daughter’s basketball team DVD.
Now that I have the tool to unleash the music I’ve purchased, I’m not in too much of a hurry to convert the tracks I purchased last night. But I am really peeved that iTunes didn’t even attach the relevant album art to the songs. Now don’t think I bought some esoteric and cryptic album that isn’t on Amazon or GraceNotes. I bought Brian Wilson’s Smile. More about the album later. But I wanted the album art with the songs. So I started the quest for an artwork locator.
The most popular iTunes artwork locators are: Zelek’s iTunes Album Artwork Locator, and iTunes Art Importer. I prefer the iTunes Art Importer from YVG. Why? I can trial it first – and it uses the .Net framework. Since I am an IT architect, I love anything that vividly advertises itself as a web service! Of course, I have no idea whether anything is exposed as a web interface. But it’s worth checking out. Once I installed the product, I used it to get the relevant artwork for Brian Wilson’s Smile!
And so it goes. I buy an album and blog about two utilities I need to fully utilize the music. And I thought technology was supposed to make life simpler. 😉

Music Tagging & iTunes

I’ve had MP3 players for the past five years. And in that time, there have been many different ways that music players have handled album artwork. Real and MusicMatch have used MP3 ID3 tags for art storage. That’s worked fine. And iTunes recognizes and represents these tags quite well – at least, v4 of iTunes handles them well.

But I bought a new album last night. And I bought it at the record store. Yes, I went to a physical store. How 20th century of me! So this is the first physical media CD I’ve grabbed since getting the iPod Shuffle. And I decided to use iTunes for the complete ripping and storing experience. And I am thoroughly underwhelmed by the iTunes ripping experience. Quelle domage!

First, iTunes decides that I must want AAC encoding. Why would I want that? It’s music that I’ve purchased. That means that I have an implicit right to use conveyed through the purchase of the album. But iTunes must think I don’t use anything but Apple products. That’s wrong.

So now I have to find a way of converting AAC files to DRM-free files. So it’s off to JHymn for the complete conversion experience. I’ve used JHym for several weeks now. It’s a great product that strips the DRM atoms from the m4a file. I absolutely needed this function so I could use Sony’s Acid product to build the soundtrack for my daughter’s basketball team DVD.

Now that I have the tool to unleash the music I’ve purchased, I’m not in too much of a hurry to convert the tracks I purchased last night. But I am really peeved that iTunes didn’t even attach the relevant album art to the songs. Now don’t think I bought some esoteric and cryptic album that isn’t on Amazon or GraceNotes. I bought Brian Wilson’s Smile. More about the album later. But I wanted the album art with the songs. So I started the quest for an artwork locator.

The most popular iTunes artwork locators are: Zelek’s iTunes Album Artwork Locator, and iTunes Art Importer. I prefer the iTunes Art Importer from YVG. Why? I can trial it first – and it uses the .Net framework. Since I am an IT architect, I love anything that vividly advertises itself as a web service! Of course, I have no idea whether anything is exposed as a web interface. But it’s worth checking out. Once I installed the product, I used it to get the relevant artwork for Brian Wilson’s Smile!

And so it goes. I buy an album and blog about two utilities I need to fully utilize the music. And I thought technology was supposed to make life simpler. 😉

EarJams Finally Arrive

Well, it’s been two days since my EarJams arrived. There are two different feelings I have about the purchasing experience.
First, e-commerce can be great and it can really suck. I had a gift card from my mother-in-law. And I had ~$25 left on the card. So you would assume that the EarJams purchase would “fit” quite nicely on the card. Oh no, Kemo Sabe! That would be a mistaken assumption. I “ordered” (purchased) the EarJams online. The online transaction was approved with the simplicity of a key click. Then the vendor (Griffin Technology) tried to process the transaction a second time (on the next business day). Of course, the second transaction wouldn’t work because of insufficient funds. So after having an approved transaction (and funds withdrawn from my card), the purchase was declined.
As much as I want to whine at them, I need to give Griffin some credit. I called their customer support number. They recognized the problem (as it had happened with numerous other “gift card” purchasers) and they shipped the EarJams right away. Indeed, I had them the very next day!
So the first feeling associated with the EarJams is frustration with inadequate processes to hold/clear purchases on Griffin’s e-commerce platform. I am sure that they will get this cleared up. Also, you can always purchase EarJams through a reseller like Amazon.
My second feelings about the EarJams are – wow! I love the bass boost. I love the volume increase (as the sound is _closer_ to my eardrums). I also love the fact that the ear buds no longer slip out of my ears. This is an extremely handy thing – especially for someone who is active.
How do they sound? Pretty good. They are not the kind of thing you want if you are seeking crystal-clear audio reproduction. But if you can live with that, then they are worth the $14.99.
-CyclingRoo-

Songs That Matter

What a mess! KC is getting hit by another winter storm. This time, the snow is falling at the rate of 1″ per hour. At 1:30 P.M. CST, I decided it was time to head home. There wasn’t much snow on the ground yet (about .5″) but that’s enough for me and the Batmobile. What’s the Batmobile? Long story. As a kid, I was known as “the Bat” because I was as blind as a…. I don’t drive. But I do ride a bike. Therefore, the bike is the Batmobile. I ride it to/from the office.
Well, the ride home was yucky but manageable. If I had left any later, I would be stuck at the campus. But since I subscribe to the “discretion is the better part of valor” addage, I bugged out before it got too bad.
So I’m at home. I’ve got iTunes blowing out a party shuffle from the main collection. BTW, I agree with those folks who swear that “shuffle” isn’t that random. Otherwise, how would “shuffle mode” result in three Switchfoot songs within an hour. But whether true or not, I’m loving the tunes. And now to the point…
Rick asked me to create a mix of “Songs That Matter.” Great idea. But Rick refused to give any guidance on the task. So I’m assembling this one based upon songs that matter to me. I’ve limited myself to thirty-five songs or less. I’m trying to shorten the list. But this is hard. Here is the list thus far (in no particular order):

  • (Don’t Fear) The Reaper, Blue Oyster Cult
  • Airbag, Radiohead
  • All I Wanna Do, Sheryl Crow
  • Bouncing Around the Room, Phish
  • Burning Down the House, Talking Heads
  • Call Me, Blondie
  • China Girl, David Bowie
  • Crash Into Me, Dave Matthews Band
  • Dog Eat Dog, Adam & The Ants
  • Dust in the Wind, Kansas
  • Hotel California, The Eagles
  • I Want to Know What Love Is, Foreigner
  • Jeremy, Pearl Jam
  • Just a Girl, No Doubt
  • Killer Queen, Queen
  • Losing My Religion, R.E.M.
  • Material Girl, Madonna
  • Money, Pink Floyd
  • Money for Nothing, Dire Straits
  • Mr. Roboto, Styx
  • Mysterious Ways, U2
  • Nights in White Satin, The Moody Blues
  • Piano Man, Billy Joel
  • Purple Rain, Prince & the Revolution
  • Reelin’ in the Years, Steely Dan
  • Riders on the Storm, The Doors
  • Roxanne, The Police
  • Smells Like Teen Spirit, Nirvana
  • Smooth, Santana
  • Stairway to Heaven, Led Zeppelin
  • Sweet Talkin’ Woman, Electric Light Orchestra
  • Take on Me, a-ha
  • Tiny Dancer, Elton John
  • White Wedding, Billy Idol
  • You Oughta Know, Alanis Morissette

So this is the list, Rick. Take your shot at it – if you can.
-CyclingRoo-

No Apologies for the Delays

OK. It’s been a few weeks since I launched this site. And a lot has happened. But if I don’t write it down when it happens, then why write it down later? Well, I won’t answer the rhetorical question myself. Here is what’s going on…
Last week, I finally received my iPod Shuffle. I had ordered the device the day that I launched this blog. I could say that I waited for my Shuffle before I resumed blogging. But that would be a lie.
First Thoughts on the Shuffle
Wow. Small, clean and crisp look, good sound. Five years ago, I bought a Sensory Science (long since out of business). It had 128MB of flash. It was extremely expensive then. And I did use it for a couple of years. But it was large. And the means to move data were crude. So when the Shuffle got announced, I decided to drop the $149 for the 1GB version. I am storing ~260 songs on the device. I have turned the flash drive on, and then off. It’s not that the flash device doesn’t work. It works great. But I want to use the device for sound first. I can already tell that that I will probably dedicate 25-50% of the Shuffle for file storage. But that will wait.
What were the downsides? First, the headphones didn’t work well. The left ear bud was woefully underpowered. So I called customer service at the Apple Store. Here is a synopsis that I sent to them:

Folks, you’ve hit a home run with me. I had to wait for the Shuffle. OK. It’s a popular product. But customer support was magnificent. I can’t tell you how much more I think of Apple because of my customer service experience. I want to thank the agent on the phone. I want to thank the agent’s management for instilling such a wonderful customer focus in their employees. And I want to thank the executives who have chosen to invest in the customer experience as an integral piece of the brand experience. For years, I have felt that the Apple “cult” was somewhat corny and kitschy. But after working (even briefly) with Apple’s customer support, I am now more willing than ever to consider Apple products as replacements for other products. Thanks for being competitive where it counts – in the customer experience. This is what brand identity is all about! 🙂

Second Thoughts on the Shuffle
Now that I have the new ear buds, I still think that the bass experience needs help. So I decided to use a little “coin of the realm” to boost the experience. I wasn’t about to buy something too expensive. After all, I didn’t want to spend a lot of money since I already had spent a few shillings on the Shuffle itself. So I went ahead and plunked down some change on Griffin EarJams. I should see them in a few days. But these gizmos are “inside the ear” resonating chambers. They fit over the existing Apple ear buds. But they are inserted into the ear canal itself. While I’m a little concerned about that, I’ll be careful when I use them.
I’ll report more on them once received. But for now, I just love the Shuffle. So I’ll spend the next few days learning more about iTunes. As a devoted Linux user, I am troubled that I am using a Mac OS/X app that’s been ported to Windows. But I’ll survive the humiliation – if y’all promise not to tell anyone!
-CyclingRoo-