Thirty-seven years in the making…


SMiLE was supposed to be released in 1967. I was six years old then. So I haven’t been waiting for this since Brian went into his immense personal struggles. But I am like most music lovers – I do know the hype. I have heard the boots and the remixesfor years. And I have always loved seeing the Beach Boys (and Brian Wilson) in concert. One of my fondest memories of the seventies was seeing the Beach Boys performing on the Mall in Washington D.C. on July 4th.
Since then, the last time I truly th0ught about Brian Wilson was when I heard the Brian Wilson track from the Barenaked Ladies on their Gordon album. I love BnL so the song spawned some research on Brian and the pop music of the sixties. Without spending more than a few words, it is safe to say that Brian Wilson was one of the most innovative composers in modern pop music. I could say a whole lot more. But my words would not do Brian (or his artistic genius) any justice. And I have no right to comment on his personal troubles. He will need to spend the rest of his life exorcising the demons from the Summer of Love.
Where was I… Last week, I got a gift certificate to the local retail mall. I got the gift certificate from the basketball booster club (I did a video for their annual banquet). As I thought about how I would spend $25, I figured music would be the best bet. So I started looking at what had been recently released. Then I saw the hooplah about the SMiLE album. I don’t know where I was last year, but I missed the calendar release entirely. Of course, once I knew the album was out, I found an article in this week’s Kansas City Star that mentioned Brian. He will be in concert this summer. He will be performing all of the cuts from the SMiLE album. I can’t wait. Best yet, it will be performed at Starlight. Starlight is an open-air theater. And my sense of the album is that it was meant to be performed in the open air.
So I just had to get the album. Would you like a review? Well, there are hundred available on the Net. One of the best is Dominique Leone’s review at Pitchfork. But here is mine:

  • This album rocks.
  • It captures the sense of the Summer of Love.
  • It has intentionally trippy and somewhat disturbing (or at least, incongruous) elements – especially during Mrs. O’Learry’s Cow. And it is very reminiscent of Sgt. Pepper in many ways. No wonder Paul and Brian hit it off. No wonder there was so much controversy between the bands.
  • It has amazing vocal harmonies. I just wish I could have heard the entire piece with the original vocals. The Wondermints are great. And I almost hear the Beach Boys. But remember, this is Brian Wilson’s SMiLE. The Beach Boys never released this album.
  • If I close my eyes, I see the band I remembered. Brian and the Wondermints have faithfully replicated the Beach Boys sound. But this is not a sneering and smarmy remake/retake. Brian was sincere and faithful in every track.
  • Even at sixty-two, Brian has a great voice. It is a little lower than at its prime. And there is less of the exuberance that youth creates. But I would have never known that this was sung by a sectagenarian.
  • Paul wasn’t munching on carrots during Vega-tables.
  • This is not a nostalgia album. It is strong and solid on its own. And it is great – at any time.
  • Just as planned, the last track (Good Vibrations) really does leave you with a smile.

My review is simple – buy ths album. It is a fantastic follow-up to Pet Sounds – even if it is a 37-year follow-up!

Songs That Matter – Part Deux

OK, Rick. I’ve worked the list some more. I’ve added and deleted many times. I like most of what I picked last time. But I had to add some important things and delete some personal favs. But I like this list much more.
Here are the operating parameters:
1. Less than three (3) hours playing time!!!
2. Less than three dozen songs.
3. Only songs from 1965 on – this one hurts!
So here is the list…

  • Good Vibrations, The Beach Boys – 1966
  • Lucy In The Sky With Diamonds, Beatles – 1967
  • Riders on the Storm , The Doors – 1971
  • Tiny Dancer , Elton John – 1971
  • Reelin’ in the Years, Steely Dan – 1972
  • Money , Pink Floyd – 1973
  • Piano Man, Billy Joel – 1973
  • Nights in White Satin , The Moody Blues – 1974
  • Killer Queen , Queen – 1974
  • Stairway to Heaven, Led Zeppelin – 1976
  • Hotel California , The Eagles – 1976
  • Sweet Talkin’ Woman, Electric Light Orchestra – 1977
  • Dust in the Wind , Kansas – 1977
  • Roxanne , The Police – 1978
  • Dog Eat Dog, Adam & The Ants – 1980
  • Call Me , Blondie – 1980
  • White Wedding, Billy Idol – 1982
  • Mr. Roboto , Styx – 1983
  • Burning Down the House, Talking Heads – 1983
  • China Girl , David Bowie – 1983
  • I Want to Know What Love Is, Foreigner – 1984
  • Purple Rain, Prince & the Revolution – 1984
  • Material Girl, Madonna – 1984
  • Money for Nothing, Dire Straits – 1985
  • Bouncing Around the Room, Phish – 1991
  • Jeremy , Pearl Jam – 1991
  • Smells Like Teen Spirit, Nirvana – 1991
  • Mysterious Ways , U2 – 1991
  • Losing My Religion, R.E.M. – 1991
  • All I Wanna Do , Sheryl Crow – 1993
  • Just a Girl, No Doubt – 1995
  • You Oughta Know, Alanis Morissette – 1995
  • Crash Into Me , Dave Matthews Band – 1996
  • Airbag , Radiohead – 1997
  • Smooth, Santana – 1999

Rick, this isn’t getting easier. But I did get “Good Vibrations” in. So with a Brian Wilson song in the mix, I know I am in the proximity of success.
Ciao

Music Tagging & iTunes

I’ve had MP3 players for the past five years. And in that time, there have been many different ways that music players have handled album artwork. Real and MusicMatch have used MP3 ID3 tags for art storage. That’s worked fine. And iTunes recognizes and represents these tags quite well – at least, v4 of iTunes handles them well.

But I bought a new album last night. And I bought it at the record store. Yes, I went to a physical store. How 20th century of me! So this is the first physical media CD I’ve grabbed since getting the iPod Shuffle. And I decided to use iTunes for the complete ripping and storing experience. And I am thoroughly underwhelmed by the iTunes ripping experience. Quelle domage!

First, iTunes decides that I must want AAC encoding. Why would I want that? It’s music that I’ve purchased. That means that I have an implicit right to use conveyed through the purchase of the album. But iTunes must think I don’t use anything but Apple products. That’s wrong.

So now I have to find a way of converting AAC files to DRM-free files. So it’s off to JHymn for the complete conversion experience. I’ve used JHym for several weeks now. It’s a great product that strips the DRM atoms from the m4a file. I absolutely needed this function so I could use Sony’s Acid product to build the soundtrack for my daughter’s basketball team DVD.

Now that I have the tool to unleash the music I’ve purchased, I’m not in too much of a hurry to convert the tracks I purchased last night. But I am really peeved that iTunes didn’t even attach the relevant album art to the songs. Now don’t think I bought some esoteric and cryptic album that isn’t on Amazon or GraceNotes. I bought Brian Wilson’s Smile. More about the album later. But I wanted the album art with the songs. So I started the quest for an artwork locator.

The most popular iTunes artwork locators are: Zelek’s iTunes Album Artwork Locator, and iTunes Art Importer. I prefer the iTunes Art Importer from YVG. Why? I can trial it first – and it uses the .Net framework. Since I am an IT architect, I love anything that vividly advertises itself as a web service! Of course, I have no idea whether anything is exposed as a web interface. But it’s worth checking out. Once I installed the product, I used it to get the relevant artwork for Brian Wilson’s Smile!

And so it goes. I buy an album and blog about two utilities I need to fully utilize the music. And I thought technology was supposed to make life simpler. 😉

Music Tagging & iTunes

I’ve had MP3 players for the past five years. And in that time, there have been many different ways that music players have handled album artwork. Real and MusicMatch have used MP3 ID3 tags for art storage. That’s worked fine. And iTunes recognizes and represents these tags quite well – at least, v4 of iTunes handles them well.
But I bought a new album last night. And I bought it at the record store. Yes, I went to a physical store. How 20th century of me! So this is the first physical media CD I’ve grabbed since getting the iPod Shuffle. And I decided to use iTunes for the complete ripping and storing experience. And I am thoroughly underwhelmed by the iTunes ripping experience. Quelle domage!
First, iTunes decides that I must want AAC encoding. Why would I want that? It’s music that I’ve purchased. That means that I have an implicit right to use conveyed through the purchase of the album. But iTunes must think I don’t use anything but Apple products. That’s wrong.
So now I have to find a way of converting AAC files to DRM-free files. So it’s off to JHymn for the complete conversion experience. I’ve used JHym for several weeks now. It’s a great product that strips the DRM atoms from the m4a file. I absolutely needed this function so I could use Sony’s Acid product to build the soundtrack for my daughter’s basketball team DVD.
Now that I have the tool to unleash the music I’ve purchased, I’m not in too much of a hurry to convert the tracks I purchased last night. But I am really peeved that iTunes didn’t even attach the relevant album art to the songs. Now don’t think I bought some esoteric and cryptic album that isn’t on Amazon or GraceNotes. I bought Brian Wilson’s Smile. More about the album later. But I wanted the album art with the songs. So I started the quest for an artwork locator.
The most popular iTunes artwork locators are: Zelek’s iTunes Album Artwork Locator, and iTunes Art Importer. I prefer the iTunes Art Importer from YVG. Why? I can trial it first – and it uses the .Net framework. Since I am an IT architect, I love anything that vividly advertises itself as a web service! Of course, I have no idea whether anything is exposed as a web interface. But it’s worth checking out. Once I installed the product, I used it to get the relevant artwork for Brian Wilson’s Smile!
And so it goes. I buy an album and blog about two utilities I need to fully utilize the music. And I thought technology was supposed to make life simpler. 😉